Monday, March 18, 2013

Airton Cardim,...woodcuts ...2008/10




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more HERE


Memento Mori... print & poem.. Christina Georgina Rossetti




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Memento Mori




Poor the pleasure
Doled out by measure,
Sweet though it be, while brief
As falling of the leaf;
Poor is pleasure
By weight and measure.

Sweet the sorrow
Which ends to-morrow;
Sharp though it be and sore,
It ends for evermore:
Zest of sorrow,
What ends to-morrow.

Christina Georgina Rossetti


Monday, March 11, 2013

Marcus Behmer (1879-1955) ... Ver Sacrum... illustrations




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Faust and Wagner 1903

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Angel of Death

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Death on a tree


illustrations for Ver Sacrum ("Sacred Spring" in Latin)  the official magazine of the Vienna Secession. Published from 1898 to 1903



more from Flickr Set

previous Behmer on Cabinet



Sunday, March 10, 2013

Doctor Johannes Faust ... books...Magia Naturalis et Innaturalis... 1849




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the classic Magia naturalis et innaturalis was known to Johann W. von Goethe, who, like Gotthold Lessing, saw Faust's pursuit of knowledge as noble; in Goethe's great Faust the hero is redeemed.




Saturday, March 9, 2013

Pascal Beverly Randolph... Eulis “Affectional Alchemy” book covers ... 1930




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The book, in German "Die sexualmagischen Lehren der Bruderschaft von Eulis", was originally
published by Randolph (1825-1875) in 1874 with the founding of The Brotherhood of Eulis ("Hermetische Bruderschaft vonLuxor"), presumably to work sex-magic. Randolph also founded the Fraternitas Rosae Crucis, the oldest Rosicrucian
organization in the United States

excerpt...



So far well; but at last the world wants to know more of that wonderful fraternity, which, nameless at times for long centuries, blossomed a few centuries ago as Rosicrucia, but now has leaped to the fore-front of all the real reform movements of this wondefu1 age, and lo! the banner of peerless Eulis floats proudly—rock founded — on the breeze. We, the people of Eulis, be it known, are students of nature in her interior departments, and rejecting alike the coarse materialism of the ages, and the sham “philosophies” of the ages past and current, accept only that which forces conviction by its irresistible logic. Men who realize the existence of other worlds than this are not apt to give loose rein to passion; nor be content with fraud in any shape. We cannot take say-sos for facts, and therefore we reject much that appeals to others with the force of truth. We are ambitious to solve all possible mystery; we prefer one method to all other hyper-human agencies, knowing it to be infinitely preferable to all other modes of rapporting the occult and mysterious; and this book, and all others from the same pen, is but a very imperfect sketch or outline of the sublime philosophy of the Templars of EULIS. We know the enormous importance of the sexive principle; that a menstruating woman is an immense power if she but knew it! that a pregnant one holds the keys of eternal mystery in her hand, and that while thus she can make or mar any human fortune! We know the mystic act is one unhinging the gates alike, of heaven and of hell; and we know two semi-brainless people may, by an application of esoteric principles, stock the 
world with mental giants. But where shall we find students? Are not all the people, nearly, the slaves of lust, place, gold? Well, we find one now and then; and we hail him or her as the Greeks hailed the sea— with excessive joy! Thalatta! Thalatta! They are not multitudinous now, but will be in the good time coming. 


Randolph’s “Rosicrucian Apology” from the first chapter of Eulis!, “Affectional Alchemy” (1874)





Bookplate from Uriel the devil by C L Kaulbach...Occult-fantastical novel... 1851



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Monday, March 4, 2013

Frans de Geetere & Arthur Rimbaud... The Stupra... 1925




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Frans de Geetere ~ illustration for The Stupra 1925


The ancient beasts...


The ancient beasts bred even on the run,
Theirs glans encrusted with blood and excrement. 
Our forfathers displayed theirs members proudly
By the fold of the sheath and the grain of the scrotum.

In the middle ages, for a female, angel or sow,
A fellow whose gear was substantial was needed;
Even a Kléber, judging by his breeches which exagerate
Perhaps a little, can't have lacked resources.

Besides, man is equal to the proudest mammal;
We are wrong to be surprised at the hugeness of their members;
But a sterile hour has struck: the gelding

And the ox have bridled their ardours, and no one
Will dare again to raise his genital pride
In the copses teeming with comical children.

Arthur Rimbaud ~ The Stupra 1925



Wednesday, February 27, 2013

William Butler Yeats... notebook page ...1920




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sketch from 19 August 1920



  One sketch from 19 August 1920 brings together a tower with water, 
apple trees and flowering trees as well as birds and a unicorn 
(labelled, on the right-hand side), said to be carrying a mask from a tree with its horn and “Rushing”. 
The two sets of trees are labelled apple trees and flowering trees, which may represent 
the same contrast of flower and fruit that Dulac used in his woodcut of the Great Wheel. 
But elsewhere in the Automatic Script, the tree is the symbol of the primary and the mask of the antithetical, so that the unicorn's carrying away may represent a temporary triumph 
of the antithetical or rescue for the antithetical Yeatses, as they build the tower of their
 antithetical system.... more



Thursday, February 21, 2013

Jan Konůpek (1883-1950)... woodcut and etching... 1925


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Woodcut ~ Creation of a man ~ 1925


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from  cycle of 10 etchings Monastery 1925 ~ Mysteries of the night



Monday, February 18, 2013

Susanne Iles & Audre Lorde... Aido Hwedo



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Aido Hwedo, West African Creation Dragon by Susanne Iles



Holy ghost woman
Stolen out of your name
Rainbow Serpent
whose faces have been forgotten
Mother loosen my tongue or adorn me
with a lighter burden
Aido Hwedo is coming.


from ''Call'' by Audre Lorde ~ February 18, 1934 – November 17, 1992





Friday, February 1, 2013

Friday, January 25, 2013

Jean Toutin...bookplate...1619



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John Linnell...The Man Who Taught Blake Painting in his Dreams (after William Blake)...c1825



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A Divine Image

Cruelty has a human heart,
And Jealousy a human face;
Terror the human form divine,
And Secresy the human dress.

The human dress is forged iron,
The human form a fiery forge,
The human face a furnace sealed,
The human heart its hungry gorge. 


Hans Bellmer... untitled ...1946




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previous BELLMER