Monday, October 7, 2013

Leon Kelly (1901-1982)...painting and drawings...




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LE POÈTE ZOOLOGISTE, 1946


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THE SIENESE REPTILE, 1946


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THE POET OF THE MOUNTAIN, 1946

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CATALONIAN FABLE SALTAMONTÉS Y RANA, 1946


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EMBRYONIC PORTRAITS, 1946


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COCOONS, 1946


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CAVE OF THE LIMPID POOL, 1944





Saturday, October 5, 2013

Edward Topsell ...The History of Four-Footed Beasts and Serpents ... woodcuts 1658




Published in 1658, The History of Four-Footed Beasts and Serpents depicts both real and fantastical creatures in detailed woodcuts. A wide swath of the animal kingdom is represented, including mammals, reptiles,amphibians, insects, and marine life, as well as an array of mythical beasts. 


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MORE woodcuts HERE


Stultifera navis (Ship of Fools) ... Sebastian Brant... woodcuts by Albrecht Dürer... 1498




Woodcuts attributed to  Albrecht Durer. Illustrations from the book
Stulifera navis (Ship of fools) by Sebastian Brant, published by
Johann Bergmann in Basel in 1498



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Five Foolish Virgins

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The Ship of Sight


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Fools far, near and Forever

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He Who Judges Others


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Of Gods Plagues and Punishments


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The Ship of Touch



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Of Dancing


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Of Luck


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Of Scorned Joy


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Of Wooing




Friday, October 4, 2013

Teaching Dhamma by Pictures...Siamese Traditional Buddhist Manuscript ...Ven. Buddhadasa Bhikkhu



from the book “Teaching Dhamma by Pictures”
Explanation of a Siamese Traditional Buddhist Manuscript
by Ven. Buddhadasa Bhikkhu

Published by 
Sathirakoses-Nagaparadi Foundation & Ministry of Education, Thailand
On the occassion of the Centenary Celebration of the Bith of the Ven. Buddhadasa Bhikku


The illustrated manuscript reproduced here was, in the original, a traditional Thai 
manuscript called Samut Khoi which is a long roll of paper folded concertina-wise into 
leaves and then written on both sides. In this form, the illustration was presented first, 
followed by a few lines of explanation on a particular aspect of Dhamma such as 
Meditation and so forth. Cambodian script was used in those days for all religious work 
thought the language is Siamese. 
The pigments used were produced locally, most of them derived from native trees. 
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John Bingley Garland...Victorian Blood Book... Sept 1854



Assembled from several hundred engravings, many taken from books of etchings by William Blake, as well as other illustrations from early nineteenth-century books. The principal motifs are natural (birds, animals, and especially snakes) and Christian (images of the crucifixion, scenes from the Bible, and crusaders). Drops of red india ink and extensive religious commentary have been added to many of the images.

inscribed "To Amy Lester Garland--A legacy left in his lifetime for her future examination by her affectionate father" September 1st 1854



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