Showing posts with label poems. Show all posts
Showing posts with label poems. Show all posts

Sunday, January 31, 2010

Agostino Carracci... Satyr



Photobucket

The Satyr Mason 1578


I make leaf-circlets
and a crown of honey-flowers
for thy throat;
where the amber petals
drip to ivory,
I cut and slip
each stiffened petal
in the rift
of carven petal:
honey horn
has wed the bright
virgin petal of the white
flower cluster: lip to lip
let them whisper,
let them lilt, quivering:

Most holy Satyr,
like a goat,
hear this our song,
accept our leaves,
love-offering,
return our hymn;
like echo fling
a sweet song,
answering note for note.

Holy Satyr by Hilda Doolittle 1922




Monday, January 25, 2010

may butterflies rise from yr grave every year..for Garcia Lorca...Rob Plath..poem





Photobucket
Louis le Brocquy - Lorca


may butterflies rise from yr grave every year..


by Rob Plath


a soldier pumped
two bullets
into yr buttocks
for being a queer

then another
into the branches
of yr lung
for being
a poet

another word
for dirty communist
to them

you were their worst enemy
w/unplugged asshole
& wide open singing
lung bags

i imagine yr
assassin bragging
about it afterwards
to his comrades

then later that night
giving his wife a good
hetero fascist fuck

his dick standing like
a middle finger
to commie faggot poets
his torso full of
fearful gears
moving w/precision
over her body

his clenched homophobic
cheeks thrusting
like a pair of iron fists
bloodless knuckles

giving it to her once
for himself
& once for the gang

the regime


Thursday, January 21, 2010

Leonor Fini... Sphinx & Charles Baudelaire...Beauty..poem and drawings...




Photobucket

Photobucket

Photobucket



Beauty



I am fair, O mortals! like a dream carved in stone,
And my breast where each one in turn has bruised himself
Is made to inspire in the poet a love
As eternal and silent as matter.


On a throne in the sky, a mysterious sphinx,
I join a heart of snow to the whiteness of swans;
I hate movement for it displaces lines,
And never do I weep and never do I laugh.


Poets, before my grandiose poses,
Which I seem to assume from the proudest statues,
Will consume their lives in austere study;


For I have, to enchant those submissive lovers,
Pure mirrors that make all things more beautiful:
My eyes, my large, wide eyes of eternal brightness!




Charles Baudelaire - The Flowers of Evil
Translation by William Aggeler

Wednesday, December 23, 2009

Federico García Lorca...drawing and poem...



Photobucket





Sonnet of the Sweet Complaint


Never let me lose the marvel

of your statue-like eyes, or the accent

the solitary rose of your breath

places on my cheek at night.


I am afraid of being, on this shore,

a branchless trunk, and what I most regret

is having no flower, pulp, or clay

for the worm of my despair.


If you are my hidden treasure,

if you are my cross, my dampened pain,

if I am a dog, and you alone my master,

never let me lose what I have gained,and adorn the branches of your river

with leaves of my estranged Autumn.




Monday, December 21, 2009

Aleksander Blok... poem..



Photobucket



"Snow Wine"


Again, from the goblet, your presence
sparkling fills my heart with care--
you with your smiling innocence
and your serpentine waves of hair.

Swept off my feet in the dark stream
I again live through
a passionate forgotten dream
of kisses, of snowstorms masking you.

Your laugh your magical laughter
and in the golden goblet sway,
and lightly over your sable hair
the current of the blue wind play.

And how, looking into the liquor,
could I miss my Bacchic wreath?
and fail to remember your kisses
my face upturned to meet mouth your mouth?


29 December 1906


Saturday, November 7, 2009

Devour the fire...Harry Crosby 2 Poems... illustration Alastair...



± RED SKELETONS, 1927 ±


TEMPLE DE LA DOULEUR

My soul has suffered breaking on the wheel,
Flogging with lead, and felt the twinging ache
Of barbéd hooks and jagged points of steel,
Peine forte et dure, slow burning at the stake,
Blinding and branding, stripping on the rack,
The canque and kourbash and the torquéd screw,
The boot and branks, red scourging on the back,
The gallows and the gibbet. All for you.


These tortures are as nothing to the pain
That I have suffered when you gaze at me
With cold disdainful eyes. You do not deign
To smile or talk or even set me free-
Yet once you let me hold your perfumed hand
And danced with me a stately saraband.

Photobucket


SALOME

Proud panoply of fans and frankincense,
Gold blare of trumpets, flowered robes of state,
Unnumbered symbols of magnificence,
To lead Salome through the palace gate,
Where loud the prophet of the Lord blasphemes
The red abominations of her race
And chides her for her flesh-entangled dreams
and turns his back upon her painted face.


Thus do we turn from some red-shadowed lust
That through the broken forests of the brain
Weaves silently with tentacles out-thrust,
Groping in darkness, but for one in vain,
For like a sliding sun the soul has fled
Leaving a princess and a vultured head.

Photobucket

¤ SUN-TESTAMENT ¤

Wednesday, November 4, 2009

AND ALL IN ARMOUR ON HER BED SHE LIES by Paul Holman.... & new drawing






Photobucket

Dolorosa 09


AND ALL IN ARMOUR ON HER BED SHE LIES ...


Her drawings show how she thinks we see her, but it is not the predicament in which she finds herself in the course of each implied adventure, shackled to the steam engine or discharging ectoplasm in some darkened room, by which she is defined, but the quality of distance she brings to these situations,amused and just a little haughty.

This detachment causes her to appear most distinct from her sister - the unicorn might be prettier, but does not gleam so, though both are made up the same -
yet, even in her more recent elegance, the twin we follow may allow
herself to be weirdly exposed, to look not composed but engaging: a
controlled goofiness in a moment that she chose to treat as if
unobserved, as if all eyes were not upon her.

Girl as landscape, girl as costume: how she permeates, sharp faced and quizzical, still unmistakable in the demon mask.

from
Tara Morgana
Paul Holman


RIP Alda Merini...



Photobucket

Winged woman, stop your rancor:
the life that you bear of mystery
smells bad above the cushion
and moribund passes away.
Just so every proud tree oozes
love, behind your dark manures
that you spread of seed and of lust,
and pays at least for the seduction
of violated souls. Even so cantata
of the devil, you are an enemy of God
and then sullenly your lust
coagulates over the souls of heroes,
and you are young. You harm
all who see the path
of your peace and no one penalizes
you for the altar of your greatness
which makes offers to gods. As if you
were a goddess dressed in lust,
you call the gold into your arms
as I call the sons of the night.


¤¤¤


I do not need money.

I have need of feelings
of words, words chosen wisely
of flowers called thoughts,
of roses called presences
of dreams inhabiting the trees,
of songs that make statues dance,
of stars that murmur to the ear of lovers.
I need poetry
this spell which burns the weight of words
that arouses emotions and gives new colors.

Love do not damn me to my fate
Hold me open all the seasons
let my great and warm decline
not fall asleep along drives
put in passive all the passions
sleep on the pillow tenderly
where grow provident ambitions
of love and universal passion
take my everything and do not hurt me.
Alda Merini



Friday, October 30, 2009

Mikhail Alekseevich Kuzmin... book cover & poems...




Mikhail Alekseevich Kuzmin (1872–1936) was a symbolist poet, prose writer, and playwright. Openly gay, he wrote the first celebrations of
gay themes in Russian literature, and the first Russian coming-out novel, Wings (1907), in which a young man learns to accept his sexuality, which makes him feel as if he has grown wings. Kuzmin too was a poet who mined his own biography,incorporating its associations
and events in his poem-cycles.
Photobucket
Wings.Story in Three Parts(Krylya) cover by Nikolai Petrovich Feofilaktov




~Poems~


Sun, Sun

Sun, sun,
divine Ra-Helios,you delight
the hearts of kings and heroes,
sacred horses neigh to you,
in Heliopolis they sing hymns to you;
when you shine,
lizards crawl out onto rocks
and boys go laughing
to swim in the Nile.
Sun, sun,
I am a pale scribbler,
a library recluse,
but I love you, sun, no less
than a tanned sailor
smelling of fish and salt water,
and no less
than his accustomed heart
rejoices
at your royal rising
from the ocean,
my heart trembles,
when your dusty, but flaming ray
slips
through the narrow window by the ceiling
onto my filled page
and my thin, yellowish hand,
writing out in vermilion
the first letter of a hymn to you,
O Ra-Helios sun!




The Sense Of Your Bidding

The sense of your bidding is unclear:
to pray, to curse, is it, to fight
you bid me, inscrutable genius?
The spring slackens, niggard, meager,
and Benozzo Gozzoli's courier
dozes in the drowsy thickets.

Hills are dark with honeyed cloud.
Look: I do not touch lithe strings.
Your gaze, prophetically flying,
is clenched, gushes no winged streams,
and beckons by no May road, trying
to outstrip Hermes in his flight.

Hobbled horses do not neigh,
Aging warriors sprawl in disarray...
Hold your palms open wide!
Risen spring is bright,
but groves of darkness are not given
to leap for joy having leapt from dreams.

The groom names not the hour,
be not guiled to tarry,
hark through ice the clarion voice,
your flax is drenched with chrism,
and, bidding goodbye to numb laze,
free, in love, you will rise.

Thursday, October 29, 2009

Jorge Luis BORGES... drawing... Self Portrait




Photobucket


Poignantly relating to self-portraits, Borges wrote in his The Art of Poetry:


To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water …

Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.



Wednesday, October 14, 2009

The world is mud-luscious and puddle-wonderful....



edward estlin cummings
(October 14, 1894 – September 3, 1962)



"I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more."




Photobucket
self-portrait ee cummings



i am so glad and very

i am so glad and very
merely my fourth will cure
the laziest self of weary
the hugest sea of shore

so far your nearness reaches
a lucky fifth of you
turns people into eachs
and cowards into grow

our can'ts were born to happen
our mosts have died in more
our twentieth will open
wide a wide open door

we are so both and oneful
night cannot be so sky
sky cannot be so sunful
i am through you so i





i have found what you are like



i have found what you are like
the rain,

(Who feathers frightened fields
with the superior dust-of-sleep. wields

easily the pale club of the wind
and swirled justly souls of flower strike

the air in utterable coolness

deeds of green thrilling light
with thinned

newfragile yellows

lurch and.press

-in the woods
which
stutter
and

sing

And the coolness of your smile is
stirringofbirds between my arms;but
i should rather than anything
have(almost when hugeness will shut
quietly)almost,
your kiss






2 little whos

2 little whos
(he and she)
under are this
wonderful tree

smiling stand
(all realms of where
and when beyond)
now and here

(far from a grown
-up i&you-
ful world of known)
who and who

(2 little ams
and over them this
aflame with dreams
incredible is)




Wednesday, October 7, 2009

I Invoke, I Invoke! ...





Pan to Artemis


From The Equinox, vol I



Photobucket



Uncharmable charmer

Of Bacchus and Mars

In the sounding, rebounding

Abyss of the stars!

O virgin in armour,

Thine arrows unsling

In the brilliant, resilient

First rays of the spring!


By
the force of the fashion
Of love, when I broke
Through the shroud, through the cloud,
Through the storm, through the smoke,
To the mountain of passion
Volcanic that woke —
By the rage of the mage
I invoke, I invoke!


By
the midnight of madness: —
The lone-lying sea,
The swoon of the moon,
Your swoon into me,
The sentinel sadness
Of cliff-clinging pine,
That night of delight
You were mine, you were mine!


You
were mine, O my saint,
My maiden, my mate,
By the might of the right
Of the night of our fate.
Though I fall, though I faint,
Though I char, though I choke,
By the hour of our power
I invoke, I invoke!


By
the mystical union
Of fairy and faun,
Unspoken, unbroken —
The dust to the dawn! —
A secret communion
Unmeasured, unsung,
The listless, resistless,
Tumultuous tongue! —


O
virgin in armour,
Thine arrows unsling,
In the brilliant resilient
First rays of the spring!
No Godhead could charm her,
But manhood awoke —
O fiery Valkyrie,
I invoke, I invoke!

Aleister Crowley 1909





Thursday, October 1, 2009

*Guest Blog...



Maggie O'Sullivan

Maggie O'Sullivan was born in Lincolnshire to Irish parents. Poet, artist, editor, publisher, she has performed and published her work since the late 1970s.


Photobucket
Arshile Gorky, "Study for "Nighttime, Enigma and Nostalgia"

"Elegy" (after Arshile Gorky)

You measured things by weight.
You loved the feel & shape of apricots
the wave & sway of fields of grain
the strength & pressure of waterfalls
the flow & shimmer of rivers
the luxuriance of orange, amber & terracotta
on naked paper
the drift & wing, flutter & rustle
of birds & leaves.
You loved the surreal
the song
the edible
and, above all,
bread.

Your palette unfurls a flirtation
of glow & shadow,
a tenderness of breasts,
a poignant sweet incense of lemons
figs olives honey &
cherry trees in blossom.
The sanctuary holds all.
The bitter-red roses,
the scarlet-red crest of the cock,
the shivering silver sickness of poplar leaves
and the pallid hands, distorted, flat
as icons. [...]


Malevich

Photobucket
Malevich, "White on White" (1918)


white on white

white square on white ground
white ground on white square
groundlight on white
white on light

white nothing
nothing within nothing
within nothing nakendess
white nothing
naked

nothing revealing
nothing reveals nothing
yielding nothing
nothing yields nothing

* with many thanks to R O'B






Wednesday, September 30, 2009

Federico García Lorca...drawing and poem...




Photobucket



Song of the Barren Orange Tree


Woodcutter.
Cut my shadow from me.
Free me from the torment
of seeing myself without fruit.

Why was I born among mirrors?
The day walks in circles around me,
and the night copies me
in all its stars.

I want to live without seeing myself.
And I will dream that ants
and thistleburrs are my
leaves and my birds.

Woodcutter.
Cut my shadow from me.
Free me from the torment
of seeing myself without fruit.





Tuesday, September 22, 2009

Edith Stein... poem...



And I Remain With You

Who are you, sweet light, that fills me
And illumines the darkness of my heart?
You lead me like a mother's hand,
And should you let go of me,

I would not know how to take another step.
You are the space
That embraces my being and buries it in yourself.
Away from you it sinks into the abyss
Of nothingness, from which you raised it to the light.
You, nearer to me than I to myself
And more interior than my most interior
And still impalpable and intangible
And beyond any name...


Saturday, September 5, 2009

Satty... Terrestrial Esoteric

Terrestrial Esoteric

Soft, features come together
particles of air splint just the other side of light
rhomboid wave lengths stopped at square
your rhythm, my bones
emotional stumblebum gestures brave
unwaivering, you beguile
you, sweet passion fruit calamity
mercurial, unwise, but your love burns no less than mine
obscure before the looking glass
shoals, etherial, fine
you are, voyager, mine
you are the first thought that comes to me
as I arc above our world
your tender, blue-flecked abstraction
drifting through curved space
through a subdivision of stars
etheral, fine
you, voyager, mine.

Justin Lee Brown 2009


Photobucket
Wilfred Satty



Satty... Alone...Edgar Allan Poe



Alone

From childhood's hour I have not been
As others were — I have not seen
As others saw — I could not bring
My passions from a common spring —
From the same source I have not taken
My sorrow — I could not awaken
My heart to joy at the same tone —
And all I lov'd — I lov'd alone —
Then — in my childhood — in the dawn
Of a most stormy life — was drawn
From ev'ry depth of good and ill
The mystery which binds me still —
From the torrent, or the fountain —
From the red cliff of the mountain —
From the sun that 'round me roll'd
In its autumn tint of gold —
From the lightning in the sky
As it pass'd me flying by —
From the thunder, and the storm —
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view —

Edgar Allan Poe 1829


Photobucket

Satty from the Illustrated Edgar Allan Poe 1976



Tuesday, August 11, 2009

Louise Bogan... poems



Photobucket



Words for Departure

Nothing was remembered, nothing forgotten.
When we awoke, wagons were passing on the warm summer pavements,
The window-sills were wet from rain in the night,
Birds scattered and settled over chimneypots
As among grotesque trees.

Nothing was accepted, nothing looked beyond.
Slight-voiced bells separated hour from hour,
The afternoon sifted coolness
And people drew together in streets becoming deserted.
There was a moon, and light in a shop-front,
And dusk falling like precipitous water.

Hand clasped hand
Forehead still bowed to forehead--
Nothing was lost, nothing possessed
There was no gift nor denial.

2
I have remembered you.
You were not the town visited once,
Nor the road falling behind running feet.

You were as awkward as flesh
And lighter than frost or ashes.

You were the rind,
And the white-juiced apple,
The song, and the words waiting for music.

3
You have learned the beginning;
Go from mine to the other.

Be together; eat, dance, despair,
Sleep, be threatened, endure.
You will know the way of that.

But at the end, be insolent;
Be absurd--strike the thing short off;
Be mad--only do not let talk
Wear the bloom from silence.

And go away without fire or lantern
Let there be some uncertainty about your departure.

from Body of this Death: Poems (1923)




Betrothed

You have put your two hands upon me, and your mouth,
You have said my name as a prayer.
Here where trees are planted by the water
I have watched your eyes, cleansed from regret,
And your lips, closed over all that love cannot say,

My mother remembers the agony of her womb
And long years that seemed to promise more than this.
She says, "You do not love me,
You do not want me,
You will go away."

In the country whereto I go
I shall not see the face of my friend
Nor her hair the color of sunburnt grasses;
Together we shall not find
The land on whose hills bends the new moon
In air traversed of birds.

What have I thought of love?
I have said, "It is beauty and sorrow."
I have thought that it would bring me lost delights, and splendor
As a wind out of old time . . .

But there is only the evening here,
And the sound of willows
Now and again dipping their long oval leaves in the water.

from Body of this Death: Poems (1923)



Knowledge

Now that I know
How passion warms little
Of flesh in the mould,
And treasure is brittle,--

I'll lie here and learn
How, over their ground
Trees make a long shadow
And a light sound.

from Body of this Death: Poems (1923)

Sunday, August 2, 2009

Reconstructing Mayakovsky...animation...poems..

Photobucket





Art: Pelin Kirca
Art Direction and Story: Illya Szilak
Music: Itir Saran


Listen!


Listen,
if stars are lit,
it means there is someone who needs it.
it means that someone wants them to be,
that someone deems those speckles of spit

magnificent

And overwrought,
in the swirls of afternoon dust,
he bursts in on God,
afraid he might already be late.
In tears,
he kisses God’s sinewy hand
and begs him to guarantee
that there will definitely be a star.
He swears
he won’t be able to stand

that starless ordeal

Later,
he wonders around, worried,
but outwardly calm.
And to someone else, he says:
‘Now,
iIt’s all right.
You are no longer afraid,
are you?’


Listen,
if stars are lit,
it means there is someone who needs it.
It means it is essential
that every evening
at least one star should ascend
over the crest of the building


Vladimir Mayakovsky 1914




Past One O’Clock ...


Past one o’clock. You must have gone to bed.
The Milky Way streams silver through the night.
I’m in no hurry; with lightning telegrams
I have no cause to wake or trouble you.
And, as they say, the incident is closed.
Love’s boat has smashed against the daily grind.
Now you and I are quits. Why bother then
To balance mutual sorrows, pains, and hurts.
Behold what quiet settles on the world.
Night wraps the sky in tribute from the stars.
In hours like these, one rises to address
The ages, history, and all creation.

Vladimir Mayakovsky 1930

Saturday, July 25, 2009

Hymns to the Night : 4 ...Novalis...



Photobucket


Now I know when will come the last morning -- when the Light no more scares away Night and Love -- when sleep shall be without waking, and but one continuous dream. I feel in me a celestial exhaustion. Long and weariful was my pilgrimage to the holy grave, and crushing was the cross. The crystal wave, which, imperceptible to the ordinary sense, springs in the dark bosom of the mound against whose foot breaks the flood of the world, he who has tasted it, he who has stood on the mountain frontier of the world, and looked across into the new land, into the abode of the Night -- truly he turns not again into the tumult of the world, into the land where dwells the Light in ceaseless unrest.

On those heights he builds for himself tabernacles -- tabernacles of peace, there longs and loves and gazes across, until the welcomest of all hours draws him down into the waters of the spring -- afloat above remains what is earthly, and is swept back in storms, but what became holy by the touch of love, runs free through hidden ways to the region beyond, where, like fragrances, it mingles with love asleep.

Still wakest thou, cheerful Light, that weary man to his labor -- and into me pourest joyous life -- but thou wilest me not away from Memory's moss-grown monument. Gladly will I stir busy hands, everywhere behold where thou hast need of me -- praise the lustre of thy splendor -- pursue unwearied the lovely harmonies of thy skilled handicraft -- gladly contemplate the clever pace of thy mighty, luminous clock -- explore the balance of the forces and the laws of the wondrous play of countless worlds and their seasons. But true to the Night remains my secret heart, and to creative Love, her daughter. Canst thou show me a heart eternally true? has thy sun friendly eyes that know me? do thy stars lay hold of my longing hand? and return me the tender pressure and the caressing word? was it thou did adorn them with colors and a flickering outline -- or was it she who gave to thy jewels a higher, a dearer weight? What delight, what pleasure offers thy life, to outweigh the transports of Death? Wears not everything that inspires us the color of the Night? She sustains thee mother-like, and to her thou owest all thy glory. Thou wouldst vanish into thyself -- in boundless space thou wouldst dissolve, if she did not hold thee fast, if she swaddled thee not, so that thou grewest warm, and flaming, begot the universe. Truly I was, before thou wast -- the mother sent me with my brothers and sisters to inhabit thy world, to hallow it with love that it might be an ever-present memorial -- to plant it with flowers unfading. As yet they have not ripened, these thoughts divine -- as yet is there small trace of our coming revelation -- One day thy clock will point to the end of time, and then thou shalt be as one of us, and shalt, full of ardent longing, be extinguished and die. I feel in me the close of thy activity -- heavenly freedom, and blessed return. With wild pangs I recognize thy distance from our home, thy resistance against the ancient, glorious heaven. Thy rage and thy raving are in vain. Unscorchable stands the cross -- victory-banner of our breed.

Over I journey
And for each pain
A pleasant sting only
Shall one day remain.
Yet in a few moments
Then free am I,
And intoxicated
In Love's lap lie.
Life everlasting
Lifts, wave-like, at me,
I gaze from its summit
Down after thee.
Your lustre must vanish
Yon mound underneath --
A shadow will bring thee
Thy cooling wreath.
Oh draw at my heart, love,
Draw till I'm gone,
That, fallen asleep, I
Still may love on.
I feel the flow of
Death's youth-giving flood
To balsam and ether
Transform my blood --
I live all the daytime
In faith and in might
And in holy fire
I die every night.