Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts

Saturday, August 29, 2009

PARAPHILIA MAGAZINE... issue 4



PARAPHILIA

Greek Meaning:

παρά --para: beside, near, past, beyond, above, contrary, resembling, apart from, irregular and abnormal.

φιλία --philia: a love that designates friendship, love between friends, a desire or enjoyment of an activity, as well as between lovers, family and community.

Medical Psychology Meaning: Sexual Fetishes.

Metaphysical Meaning: Friendship from Beyond.


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New issue containing work by the following;


JOHN COULTHART, ARNAUD LOUMEAU, JIM LOPEZ, MICHAEL K, MICHAEL ROTH, CHRIS
BRANDRICK, CLARE GODDEN-ROWLAND, MALCOLM ALCALA, SALENA GODDEN, THOMAS
EVANS, GENE GREGORITS, DOLOROSA, A.D. HITCHEN, CHRISTOPHER NOSNIBOR,
MAX REEVES, IAN MILLER, RICH FOLLETT, NICK TOSCHES, CHARLES CHRISTIAN,
ROBERT AGASUCCI, ELE-BETH LITTLE, ALFRED MURO, DAVID CONWAY, DARIUS
JAMES, DESTINY MCKEEVER, STEWART HOME, PATRICK WRIGHT, CRICKET
CORLEONE, RICHARD A. MEADE, RICK GRIMES, LITTLE SHIVA, HANK KIRTON,
CRAIG WOODS, JAD FAIR, CLAUDIA BELLOCQ, TOM GARRETSON, ANGELA SUZZANNE,
RON GARMON, DAVID GIONFRIDDO, KATE MACDONALD, MARY LEARY, CHRIS MORRIS




Enter PARAPHILIA, an unlicensed, underground enterprise that renounces rules, regulations, guidelines, genres, categories, and all other manmade shackles. Paraphilia recognizes that expression is a fundamental function of the human organism, and within these walls, it will only be presented in the purest, rawest, most unfettered form. The sole requirement for admission is an open mind, so do come in, we embrace your presence.


http://www.myspace.com/paraphiliamagazine


ISSUE 4





Saturday, July 4, 2009

The Afternoon of the Faun ...Stephane Mallarme

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The Afternoon of a Faun

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These nymphs I would perpetuate.

So clear
Their light carnation, that it floats in the air
Heavy with tufted slumbers.

Was it a dream I loved?
My doubt, a heap of ancient night, is finishing
In many a subtle branch, which, left the true
Wood itself, proves, alas! that all alone I gave
Myself for triumph the ideal sin of roses.
Let me reflect...

if the girls of which you tell
Figure a wish of your fabulous senses!
Faun, the illusion escapes from the blue eyes
And cold, like a spring in tears, of the chaster one:
But, the other, all sighs, do you say she contrasts
Like a breeze of hot day in your fleece!
But no! through the still, weary faintness
Choking with heat the fresh morn if it strives,
No water murmurs but what my flute pours
On the chord sprinkled thicket; and the sole wind

Prompt to exhale from my two pipes, before
It scatters the sound in a waterless shower,
Is, on the horizon's unwrinkled space,
The visible serene artificial breath
Of inspiration, which regains the sky.

Oh you, Sicilian shores of a calm marsh
That more than the suns my vanity havocs,
Silent beneath the flowers
of sparks, RELATE
'That here I was cutting the hollow reeds tamed
By talent, when on the dull gold of the distant
Verdures dedicating their vines to the springs,

There waves an animal whiteness at rest:
And that to the prelude where the pipes first stir
This flight of swans, no! Naiads, flies
Or plunges...'

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Inert, all burns in the fierce hour
Nor marks by what art all at once bolted
Too much hymen desired by who seeks the Ia:
Then shall I awake to the primitive fervour,
Straight and alone, 'neath antique floods of light,
Lilies and one of you all through my ingenuousness.

As well as this sweet nothing their lips purr,
The kiss, which a hush assures of the perfid ones,

My breast, though proofless, still attests a bite
Mysterious, due to some august tooth;
But enough! for confidant such mystery chose
The great double reed which one plays 'neath the blue:
Which, the cheek's trouble turning to itself
Dreams, in a solo long, we might amuse
Surrounding beauties by confusions false
Between themselves and our credulous song;
And to make, just as high as love modulates,
Die out of the everyday dream of a back
Or a pure flank followed by my curtained eyes,
An empty, sonorous, monotonous line.

Try then, instrument of flights, oh malign
Syrinx, to reflower by the lakes where you wait for me!
I, proud of my rumour, for long I will talk
Of goddesses; and by picturings idolatrous,
From their shades unloose yet more of their girdles:
So when of grapes the clearness I've sucked,
To banish regret by my ruse disavowed,
Laughing, I lift the empty bunch to the sky,
Blowing into its luminous skins and athirst
To be drunk, till the evening I keep looking through.

Oh nymphs, we diverse MEMORIES refill.
'My eye, piercing the reeds, shot at each immortal
Neck, which drowned its burning in the wave
With a cry of rage to the forest sky;
And the splendid bath of their hair disappears

In the shimmer and shuddering, oh diamonds!

I run, when, there at my feet, enlaced. Lie
(hurt by the languor they taste to be two)
Girls sleeping amid their own casual arms;
them I seize, and not disentangling them, fly
To this thicket, hated by the frivilous shade,
Of roses drying up their scent in the sun
Where our delight may be like the day sun-consumed.'
I adore it, the anger of virgins, the wild
Delight of the sacred nude burden which slips
To escape from my hot lips drinking, as lightning
Flashes! the secret terror of the flesh:
From the feet of the cruel one to the heart of the timid
Who together lose an innocence, humid
With wild tears or less sorrowful vapours.
'My crime is that I, gay at conquering the treacherous
Fears, the dishevelled tangle divided
Of kisses, the gods kept so well commingled;
For before I could stifle my fiery laughter
In the happy recesses of one (while I kept
With a finger alone, that her feathery whiteness
Should be dyed by her sister's kindling desire,
The younger one, naive and without a blush)
When from my arms, undone by vague failing,
This pities the sob wherewith I was still drunk.'

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Ah well, towards happiness others will lead me
With their tresses knotted to the horns of my brow:
You know, my passion, that purple and just ripe,

The pomegranates burst and murmur with bees;
And our blood, aflame for her who will take it,
Flows for all the eternal swarm of desire.
At the hour when this wood's dyed with gold and with ashes
A festival glows in the leafage extinguished:
Etna! 'tis amid you, visited by Venus
On your lava fields placing her candid feet,
When a sad stillness thunders wherein the flame dies.
I hold the queen!

O penalty sure...

No, but the soul
Void of word and my body weighed down
Succumb in the end to midday's proud silence:
No more, I must sleep, forgetting the outrage,
On the thirsty sand lying, and as I delight
Open my mouth to wine's potent star!

Adieu, both! I shall see the shade you became.

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Stephane Mallarme
Translation by Roger Fry

Monday, May 25, 2009

Paul Holman...Tara Morgana IV



Tara Morgana IV

1

The memory of a bewildering romance:
her tongue had turned white, the
ugly flight jacket bought the day
before had suffered a three cornered
tear. Her eye imposed the spectre
of a building upon a gap
in the city, but I found
nothing better to do than sketch
the map of mountains, fissures and
interconnected lakes which the action of
heat and sudden rain had developed
upon the path.

2

She gazed into the mirror treated
with seven excretions: ophidian skin, mottled
breasts and shoulders. The fumes settled
into the handsome animal mask of
my father, not as he was
in life, but as it had
proved convenient for me to represent
him to myself. By this time,
she was delusional, ransacking the house
in search of the one object
that caused her damage. I marked
a cross upon the tablecloth, then
added four dots at the intercardinal
points, connecting them with the looping
walls of that labyrinth through which
I follow him now.

3

She vanished among men of unguessable
temper, always older, who made no
remark about the tremble of the
skeleton at the foot of her
mattress.


From V

The transmission I failed to
summon again, as if it could
be recovered by walking in a
stupor beside that same river,
stinking of beer and mud,
above which I had glimpsed a
moth patterned city, my hand
upon the waist of the first
girl I tricked into performing
an action significant to me
(game to accept the hazard of
my company, the boredom).



Sunday, March 22, 2009

Unica Zürn...new line of vision...

A few scans from one of my favourite books

The House of Illnesses
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A remarkable illustrated text produced during one of the author’s stays in a mental institution.
After a childhood which she describes as “wonderful,” a 7 year marriage and the birth of her two children, a carreer at the Ufa film studios in her home town Berlin when she also began to write and paint, Unica Zürn’s life changed abruptly following a series of chance meetings with the painter Hans Bellmer in 1953. She left at once for Paris with Bellmer, who had already established himself in Surrealist circles there. He encouraged her to make automatic drawings and to write the anagram poems which later brought her much acclaim. Although the two lived together in growing isolation from their outside surroundings, Bellmer introduced Zürn to many of his contemporaries: Brauner, Arp, Man Ray, Ernst, Waldberg, and above all Henri Michaux. This meeting precipitated the mental illness that was to hound the last thirteen years of her life, Zürn believed him to be the incarnation of a childhood fantasy figure, which she described lated in The Man of Jasmine: “A few days later she experiences the first miracle in her life: in a room in Paris she finds herself standing before the Man of Jasmine. The shock of this encounter is so great that she is unable to overcome it. From this day on she begins, very very slowly, to lose her reason.”


The House of Illnesses was written shortly after this meeting, during a bout of fever induced by jaundice. It was originally included in the book The Man of Jasmine but without the illustrations which accompany it here. With its sometimes wistful, sometimes humourous and ultimately hopeful mood, this text contrasts strongly with many of the other texts in that book, which bear harrowing testimony to her mental crises and her dizzying descent into her own self and a world of hallucinated images.
above text from publishers of this book

Wednesday, March 18, 2009

Unica Zürn...





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A flower, for the spirit that keeps me burning. Paris, Pere Lachaise Cemetery, February 16th 2008.
Unica Zurn writer/artist 1916-1970


My space for Unica Zürn