Saturday, July 25, 2009

Hymns to the Night : 4 ...Novalis...



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Now I know when will come the last morning -- when the Light no more scares away Night and Love -- when sleep shall be without waking, and but one continuous dream. I feel in me a celestial exhaustion. Long and weariful was my pilgrimage to the holy grave, and crushing was the cross. The crystal wave, which, imperceptible to the ordinary sense, springs in the dark bosom of the mound against whose foot breaks the flood of the world, he who has tasted it, he who has stood on the mountain frontier of the world, and looked across into the new land, into the abode of the Night -- truly he turns not again into the tumult of the world, into the land where dwells the Light in ceaseless unrest.

On those heights he builds for himself tabernacles -- tabernacles of peace, there longs and loves and gazes across, until the welcomest of all hours draws him down into the waters of the spring -- afloat above remains what is earthly, and is swept back in storms, but what became holy by the touch of love, runs free through hidden ways to the region beyond, where, like fragrances, it mingles with love asleep.

Still wakest thou, cheerful Light, that weary man to his labor -- and into me pourest joyous life -- but thou wilest me not away from Memory's moss-grown monument. Gladly will I stir busy hands, everywhere behold where thou hast need of me -- praise the lustre of thy splendor -- pursue unwearied the lovely harmonies of thy skilled handicraft -- gladly contemplate the clever pace of thy mighty, luminous clock -- explore the balance of the forces and the laws of the wondrous play of countless worlds and their seasons. But true to the Night remains my secret heart, and to creative Love, her daughter. Canst thou show me a heart eternally true? has thy sun friendly eyes that know me? do thy stars lay hold of my longing hand? and return me the tender pressure and the caressing word? was it thou did adorn them with colors and a flickering outline -- or was it she who gave to thy jewels a higher, a dearer weight? What delight, what pleasure offers thy life, to outweigh the transports of Death? Wears not everything that inspires us the color of the Night? She sustains thee mother-like, and to her thou owest all thy glory. Thou wouldst vanish into thyself -- in boundless space thou wouldst dissolve, if she did not hold thee fast, if she swaddled thee not, so that thou grewest warm, and flaming, begot the universe. Truly I was, before thou wast -- the mother sent me with my brothers and sisters to inhabit thy world, to hallow it with love that it might be an ever-present memorial -- to plant it with flowers unfading. As yet they have not ripened, these thoughts divine -- as yet is there small trace of our coming revelation -- One day thy clock will point to the end of time, and then thou shalt be as one of us, and shalt, full of ardent longing, be extinguished and die. I feel in me the close of thy activity -- heavenly freedom, and blessed return. With wild pangs I recognize thy distance from our home, thy resistance against the ancient, glorious heaven. Thy rage and thy raving are in vain. Unscorchable stands the cross -- victory-banner of our breed.

Over I journey
And for each pain
A pleasant sting only
Shall one day remain.
Yet in a few moments
Then free am I,
And intoxicated
In Love's lap lie.
Life everlasting
Lifts, wave-like, at me,
I gaze from its summit
Down after thee.
Your lustre must vanish
Yon mound underneath --
A shadow will bring thee
Thy cooling wreath.
Oh draw at my heart, love,
Draw till I'm gone,
That, fallen asleep, I
Still may love on.
I feel the flow of
Death's youth-giving flood
To balsam and ether
Transform my blood --
I live all the daytime
In faith and in might
And in holy fire
I die every night.


Tuesday, July 21, 2009

Aquamanile... Aristotle Ridden by Phyllis

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Aquamanile: Aristotle Ridden by Phyllis, ca. 1400
Southern Netherlands or Eastern France (Lorraine)
Bronze

*An aquamanile is a vessel for pouring water used in the ritual of washing hands in both religious and secular contexts—by the priest before Mass and in a private household before a meal. The subject of this celebrated example is the moralizing legend of Aristotle and Phyllis, which achieved widespread popularity in the late Middle Ages. Aristotle, the Greek philosopher and tutor of Alexander the Great, allowed himself to be humiliated by the seductive Phyllis, Alexander's favorite courtesan, as a lesson to the young ruler, who had succumbed to her wiles and neglected the affairs of state. Encouraging Alexander to witness his folly, Aristotle explained that if he, an old man, could be so easily deceived, the potential consequences for a young man were even more perilous. The ribald subject indicates that this aquamanile was made for a domestic setting, where it would have doubled as an object of entertainment for guests at the table.

Die Macht der Liebe... (The Power of Love)

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Hieronymus Hopfer (ca. 1500-1563)

Monday, July 20, 2009

Hayden Carruth 1921-2008...

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Anything ends
In its beginning,
The circles turning
Slowly, so slowly,
Quern of the beat
Of the downrunning heart.
The sunlight fell like diamonds
But did not slacken
Remembrance’s forewarning
Of cold and dark to come,
The journey retaken
Without end,
Without end.

—from IV. “Ignis” in Journey to a Known Place (1961) Graphic Arts division GAX Z232.M54C37 1961.

Thursday, July 16, 2009

Tuesday, July 14, 2009

Sunday, July 12, 2009

Henriette Hardenberg...1918...





Southern Heart

Blossom sits deeply,
Mountaintips bend themselves into shape,
Wind lies calmly,
The tree stands rigidly.

Then suddenly, comes into bloom
Right into the middle of the heart
Burning, you are sitting in my tree.

Nowhere inside me is calm,
I cry out from within the flames,
an ocean is moving all over.

Then they,too,are twitching,
Blossom and tree,
Already red from being so sweet.



Pipilotti Rist ...Homo sapiens sapiens, 2005

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