Thursday, September 3, 2009
TA-TA TOSY TiT... animation
a film by yoshihiro haku and sachiko hiraoka.
a sound by silence outside(yoshihiro haku).
this short film is collage animation.
2009
Labels:
animation,
collage,
sachiko hiraoka,
TA-TA TOSY TiT,
videos,
yoshihiro haku
Wednesday, September 2, 2009
Austin Osman Spare...drawing
from The Book Of Ugly Ecstasy circa 1924
Labels:
austin osman spare,
drawings
Tuesday, September 1, 2009
Sublime images...Part 1
These amazingly sublime images where taken from this very good blog
hiroyasu-tangerine
I dont know anything about them, please get in touch if you have any information i would be very grateful.
Labels:
art
Monday, August 31, 2009
Sunday, August 30, 2009
Saturday, August 29, 2009
PARAPHILIA MAGAZINE... issue 4
PARAPHILIA
Greek Meaning:
παρά --para: beside, near, past, beyond, above, contrary, resembling, apart from, irregular and abnormal.
φιλία --philia: a love that designates friendship, love between friends, a desire or enjoyment of an activity, as well as between lovers, family and community.
Medical Psychology Meaning: Sexual Fetishes.
Metaphysical Meaning: Friendship from Beyond.
New issue containing work by the following;
JOHN COULTHART, ARNAUD LOUMEAU, JIM LOPEZ, MICHAEL K, MICHAEL ROTH, CHRIS
BRANDRICK, CLARE GODDEN-ROWLAND, MALCOLM ALCALA, SALENA GODDEN, THOMAS
EVANS, GENE GREGORITS, DOLOROSA, A.D. HITCHEN, CHRISTOPHER NOSNIBOR,
MAX REEVES, IAN MILLER, RICH FOLLETT, NICK TOSCHES, CHARLES CHRISTIAN,
ROBERT AGASUCCI, ELE-BETH LITTLE, ALFRED MURO, DAVID CONWAY, DARIUS
JAMES, DESTINY MCKEEVER, STEWART HOME, PATRICK WRIGHT, CRICKET
CORLEONE, RICHARD A. MEADE, RICK GRIMES, LITTLE SHIVA, HANK KIRTON,
CRAIG WOODS, JAD FAIR, CLAUDIA BELLOCQ, TOM GARRETSON, ANGELA SUZZANNE,
RON GARMON, DAVID GIONFRIDDO, KATE MACDONALD, MARY LEARY, CHRIS MORRIS
Enter
http://www.myspace.com/paraphiliamagazine
ISSUE 4
Labels:
art,
books,
PARAPHILIA MAGAZINE,
photography,
writers
Monday, August 24, 2009
Hannah Cullwick... Mad Love ...
'I kissed you when you asked me. I wanted to see what your mouth was like. It was hot and warm. I knowed you was good and soft by the feel of your mouth.'
Hannah Cullwick as Mary Magdalen by James Stodart in 1864
directed by Kim Wood 2003
Hannah Cullwick is a fascinating figure, a working class woman who kept a diary and pursued a class-defying relationship which encompassed S/M role-playing, cross-dressing and muscle fetishism.
Refusing to be constrained by notions of gender, class or race,she revelled in her physical toil and embraced her identity as a maid of all work, building up musculature and strength which delighted the victorian barrister Arthur Munby.
Victorian English gentlemen were notorious collectors. In the interests of scientific investigation and sociological progress, they amassed butterflies, antiquities and colonial territories on a breathtaking scale. Arthur Munby – minor poet, man of letters, Church Commissioner and barrister – collected working women. For over 50 years he sought out shop-girls, milliners, fruit and flower sellers, prostituterag-pickers, flither-lasses, pitbrow and gypsy girls, a cquiring their photographs and making detailed notes about their physical appearance and working lives.
Munby first spoke to Hannah on her 21st birthday. She was enjoying her second visit to London, having been brought from her native Shropshire by her employers for the season. On her first visit, the year before, Hannah had seen Charles Kean in Sardanapalus, Byron's tragedy about the King of Assyria who falls madly in love with one of his many slaves, Myrrah.
The play so fired her romantic imagination that when Munby approached her, she immediately identified him as a Master to whom she could become lovingly enslaved. His interest in female drudgery perfectly matched her desire to abase herself.
She practised her letter-writing in order to send her lover the kind of detailed descriptions he revelled in, telling him that "the blacker I get with work, the more ardent I feel towards you", and incidentally ensuring that her side of the unusual relationship is amply recorded.
Both documented their relationship, though it remained secret from their peers and Cullwick even took the bold step of changing jobs when staff became suspicious of the chain she wore round her neck as a symbol of her "belonging" to Munby. In her diaries she records submissive acts such as washing his feet and licking his boots.
However,Cullwick was probably in the driving seat in the relationship and refused his attempts to turn her into a lady. While Munby's diaries are full of his admiration for her physicality and muscularity, it is less clear what drew her to him,and indeed kept them locked together for decades in a relationship she described as "the same to us as marriage is to other folks",much of it spent living apart.
Arthur Munby
“For freedom & true lowliness, there's nothing like being a maid of all work...” Hannah Cullwick, 1872
Labels:
Arthur Munby,
books,
Hannah Cullwick,
performance,
photography
Sunday, August 23, 2009
Wilson Shieh...paintings
Chinese artist Wilson Shieh paints and draws in the gongbi, or fine-line, style of Ming dynasty painters of the seventeenth century, but his subject matter is humorous and stylish.
Labels:
art,
chinese,
drawings,
prints,
Wilson Shieh
Saturday, August 22, 2009
Friday, August 21, 2009
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