Tuesday, October 20, 2009

Hans Bellmer ... drawing




One of my favourite artists draws one of my favourite writers...


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Hans Bellmer  ~ Gaston Bachelard 1957


In 1957 Bellmer executed portraits not only of Gaston Bachelard but also of other
leading artists and writers of the day, including Arp, Wilfredo Lam, Henri Michaux, Victor Brauner, Albert Camus and Jehan Mayoux. The art historian Peter Webb has written of these works that together they ‘form a marvellous pantheon of the creative people of his time’ and it seems likely that Bellmer himself saw these portraits, generally pencil or charcoal
drawings, as a coherent body of works.


Reverie is not a mind vacuum. It is rather the gift of an hour which knows the plenitude of the soul.
Gaston Bachelard



~"the pure imagination designates its projected forms as the essence of its proper fulfillment. It delights naturally in imagining, thus in changing forms. Metamorphosis thus becomes the specific function of imagination. The imagination cannot comprehend a form except by transforming it, by dynamizing its becoming, by seizing on it like a sectioning of the flux of formal causality, precisely as a physicist cannot understand a phenomenon except by grasping it in a sectioning of the flux of efficient causality."~ 

G Bachelard  LAUTREMONT



Amos Nattini...




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Dante's Divina Comedia 1923


Francois Perrier...print 1638






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Sunday, October 18, 2009

Austin Osman Spare...drawing



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Crucifixion


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Ramón María del Valle-Inclán...The Lamp Of Marvels...



A unique account by a great mystical poet of his search to realize Beauty, Truth, and Goodness in his life and in his art.


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Ramón del Valle Inclán (1866–1936) was Spanish writer and a member of the Generation of ‘98. Valle Inclán was deeply influenced by foreign literary trends, especially by modernismo. An eccentric who cultivated bizarre legends about himself, he published a collection of sensational, erotic tales, Femeninas (1895). He used himself as the model for the old libertine hero of his Sonatas (1902–1905), translated as The Pleasant Memoirs of the Marquis de Bradomín (1924). His symbolist aesthetic is expressed in his poetic works such as Aromas de leyenda (1907). Among his plays are Águila de blasón ("Eagle of Honor," 1907), in prose, and La Marquesa Rosalinda (1913) in verse. In his later works he satirized Spanish life in grotesque caricatures he called esperpentos, including Luces de Bohemia (1920).

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