‡ Bloodsongs for the No.9 ‡
“She was a man; she was a woman.......It was a most bewildering and
whirligig state to be in”. Julia Kristeva
No.1
No. 9
a set of 9 drawings , January 2010 blood,ink,charcoal and gouache.
full set > BLOODSONGS
Sunday, January 17, 2010
Bloodsongs for the number 9... new drawings...
‡ Bloodsongs for the No.9 ‡
“She was a man; she was a woman.......It was a most bewildering and
whirligig state to be in”. Julia Kristeva
No.1
No. 9
a set of 9 drawings , January 2010 blood,ink,charcoal and gouache.
full set > BLOODSONGS
Friday, January 15, 2010
Thursday, January 14, 2010
Insomnia or the Devil at Large... Henry Miller ... drawings
Drawings by Henry Miller, made during a bout of Insomnia 1965/66
“They reflect the varying moods of three in the morning. Some were sprinkled with bird seed, some with songes, and some with mensonges. Some dripped from the brush like pink arsenic; others clogged up on me and came out as welts and bruises. Some were
organic, some inorganic, but they were all intended to lead their own life in the garden of Abracadabra.”
MORE >>>> Henry Miller
Saturday, January 9, 2010
Friday, January 8, 2010
Thursday, January 7, 2010
Jack Smith ...The Beautiful Book...
The only autonomous collection of Jack Smith's photographs to appear during his lifetime, The Beautiful Book
comprises 19 hand-tipped black-and-white contact prints made from the original negatives. The photographs were produced mainly during the course of extended shooting sessions in Smith's Lower East Side apartment. Most date from the winter of 1962, although a few are earlier - including the final'signature' photograph, a portrait of the artist on the steps beneath the Brooklyn Bridge taken by filmmaker Ken Jacobs. Nearly half the photographs feature the artist Marian Zazeela, who provided the design for the book's silk-screened cover. Smith and his associates assembled
the books during the late spring and early summer of 1962, before shooting began on Flaming Creatures. Published and distributed by Piero Heliczer's press, the dead language, The Beautiful Book was advertised with a statement from the filmmaker Ron Rice: 'we studied these photographs with keen eye discovering new & more beautiful images hidden in every dissolve & curve of the draperies & silks which ran through these masterpieces like some long lost mysterious fume from
byzantium.'
comprises 19 hand-tipped black-and-white contact prints made from the original negatives. The photographs were produced mainly during the course of extended shooting sessions in Smith's Lower East Side apartment. Most date from the winter of 1962, although a few are earlier - including the final'signature' photograph, a portrait of the artist on the steps beneath the Brooklyn Bridge taken by filmmaker Ken Jacobs. Nearly half the photographs feature the artist Marian Zazeela, who provided the design for the book's silk-screened cover. Smith and his associates assembled
the books during the late spring and early summer of 1962, before shooting began on Flaming Creatures. Published and distributed by Piero Heliczer's press, the dead language, The Beautiful Book was advertised with a statement from the filmmaker Ron Rice: 'we studied these photographs with keen eye discovering new & more beautiful images hidden in every dissolve & curve of the draperies & silks which ran through these masterpieces like some long lost mysterious fume from
byzantium.'
Wednesday, January 6, 2010
Tuesday, January 5, 2010
Monday, January 4, 2010
Andrey Bely... poem and drawing...
VERTIGO
Now I have wandered long years and many,
Have drowned in the haze of the late afternoon
Until my poor feet are bleeding and heavy,
They must give out soon.
As I lounge in the fumes of the charcoal vapors
Questions pop out, like an unpaid debt,
And someone offers- in a tasty little packet -
A cigarette.
And then when I sit with elbows on the table,
Swoonin with awe, merged fearfully
With things not of earth, somebody says
"Here's your tea."
Oh, I am a child of the flame, of the glory,
Visions shine before me all through the night,
But can it be- can it be possible
They will not even know me by sight?
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