Monday, October 18, 2010
Saturday, October 16, 2010
Wednesday, October 13, 2010
Tuesday, October 12, 2010
Birthday greetings...Aleister Crowley...
Aleister Crowley Self portrait 1920
October 12th 1875 - December 1st 1947
from Magick Without Tears 1954
"Lift yourselves up, my brothers and sisters of the earth! Put
beneath your feet all fears, all qualms, all hesitancies! Lift
yourselves up! Come forth, free and joyous, by night and day, to
do your will; for "There is no law beyond Do what thou wilt."
Lift yourlseves up! Walk forth with us in Light and Life and
Love and Liberty, taking our pleasure as Kings and Queens in
Heaven and on Earth."from my favourite Crowley book!
Monday, October 11, 2010
Saturday, October 9, 2010
Thursday, October 7, 2010
Tuesday, October 5, 2010
Monday, October 4, 2010
Saturday, October 2, 2010
Ex libris... Satyr
Leopold A. Chambliss - Bookplate was designed in 1928 by H.Hubert. The quotation is from The Revolt Of The Angels by Anatole France
Rev. Carl E. Peterson- was a bookplate collector. This exlibris was engraved in 1895 by Levy and company .The designer was Bessie Pease Gutmann who is better known for her illustrations of children.
from this great bookplate blog
Thursday, September 30, 2010
Hans Christian Andersen's Paper Cuts...SCISSOR WRITING...
Things that quicken the heart...The magical paper cuts of Hans Christian Andersen
I had the pleasure of seeing some of these wonders at an exhibition shown here in Dublin= Cut-Outs and Cut-Ups: Hans Christian Andersen and William Seward Burroughs.
”Det hele er Andersens poesi
i klipperi!
Broget, løjerligt alleslags,
alt med en saks!”
(In Andersen's paper-cuts you see
His poetry!
A medley of diverting treasures
All done with scissors.)
The fact that Andersen could create such delicate patterns and gossamery, graceful dancers out of a thickly folded piece of paper with the help of a crude, heavy pair of scissors was pure magic in the eyes of children. The eldest of the daughters at Holsteinsborg Manor remembered in particular, later in life as a grown-up baroness, the light, delicate dolls Andersen had cut for her out of white paper and which she afterwards had placed on the table and blown at carefully so that they fluttered back and forth: “He always cut with an enormous pair of paper scissors, and I simply couldn’t understand how he could cut such pretty, delicate things with his big hands and this enormous pair of scissors.”
This was Hans Christian Andersen’s own explanation of a highly spectacular page in Astrid Stampes Billedbog from 1853, where seven or eight little cuttings from twice as many pieces of paper in all sorts of colours and patterns merge into one big picture. And this is also how we must regard Andersen’s paper art: as something colourful, diverting and poetic that is extremely closely linked to his lyric poetry, drama, fairy-tales, novels and travel books. Andersen’s paper-cuts cannot just be separated from his written oeuvre and placed beside it.
About 1,000 paper-cuts of all sizes still exist to this day – primitive figures and simple tableaux as well as more ornamental, sophisticated cuttings. They belong to a world of their own, but they all have their roots in precisely the same rich, widely embracing creative imagination which in the nineteenth century revolutionized world literature with a long series of fairy-tales told for children and for the child in every adult. This is why Andersen’s many paper-cuts cannot be dismissed, as they often have been in Andersen research, as mere diversions and little games or just be regarded as funny, entertaining illustrations of what is really at stake and essential: Andersen’s fairy-tale world in writing.
more papercuts at the Royal Library
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