Sunday, January 1, 2012

Charles Rickett... poster... 1920...satyr



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Poster advertising The Dynasts by Thomas Hardy c1920

                                         


Amid this scene of bodies substantive
       Strange waves I sight like winds grown visible,
       Which bear men's forms on their innumerous coils,
       Twining and serpenting round and through.
       Also retracting threads like gossamers—
       Except in being irresistible—
       Which complicate with some, and balance all.
 
Thomas Hardy 



Saturday, December 31, 2011

Dolorosa... a drawing for Austin O Spare ..2011




to  Cabinet Readers Love and Magick to accompany you in the mystery tour of 2012!

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Dolorosa  ~ A drawing for AOS on his birthday ~ Raving Mouthed 30th Dec 2011
                                                              White pencil on black paper





Friday, December 30, 2011

Austin Osman Spare... Happy Birthday!



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Stealing the Fire from Heaven 1911-12

 

The Complete Ritual and Doctrine of Magic

Ecstasy in Self-love the Obsession



My dearest, I will now explain the only safe and true formula, the destroyer of the darkness of the World, the most secret among all secrets. Let it be secret to him who would attain. Let it cover any period of time, depending on his conception. There is no qualification, nor ritual or ceremony. His very existence symbolising all that is necessary to perfection. Most emphatically, there is no need of repetition or feeble imitation. You are alive!

from my favourite AOS book The Book of Pleasure (self-love) The Psychology of Ecstasy

more > AOS 



Lettice Sandford.. illustration from the Song of Songs 1936



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1:1 The Song of Songs, which is for Solomon. 1:2 Kiss Me with the kisses of your mouth, for your love is better than wine. 1:3 Your oil has an excellent scent, but your name is the most exquisite oil – for this, all the maidens love you. 1:4 Draw Me after you. Let us run. The king has brought Me to his chambers. We will delight and take joy in you, savoring your love. Like new-pressed wine, they love you.

previous  Lettice Sandford



Wednesday, December 28, 2011

T. Sturge Moore (1870-1944)... Pan as an Island...c1902



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 a scan from The Modern Woodcut by Herbert Furst 1924



Sunday, December 25, 2011

Saturday, December 24, 2011

Wednesday, December 21, 2011

H Meyer...Bookplate... c1793



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bookplate from Letters to the advancement of humanity by Johann Gottfried von Herder



Tuesday, December 20, 2011

GOETHE, Johann Wolfgang von (1749-1832)...Zur Farbenlehre ...bookplate 1810



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"To divide the united, to unite the divided, is the life of nature; this is the eternal systole and diastole, the eternal collapsion and expansion, the inspiration and expiration of the world in which we move."  ~ Goethe


Based on his experiments with turbid media, Goethe characterized colour as arising from the dynamic interplay of darkness and light. Rudolf Steiner gives the following analogy:

    Modern natural science sees darkness as a complete nothingness. According to this view, the light which streams into a dark space has no resistance from the darkness to overcome. Goethe pictures to himself that light and darkness relate to each other like the north and south pole of a magnet. The darkness can weaken the light in its working power. Conversely, the light can limit the energy of the darkness. In both cases color arises.
    —Rudolf Steiner, 1897 >



Ex Libris... Martin Erich Philipp... 1914



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Ex Libris... K. Schönberger... 1899



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Tuesday, December 13, 2011

Arthur Rackham...the Wind in the Willows..illustration..Satyr



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"Perhaps he would never have dared to raise his eyes, but that, though the piping was now hushed, the call and the summons seemed still dominant and imperious. He might not refuse, were Death himself waiting to strike him instantly, once he had looked with mortal eye on things rightly kept hidden. Trembling he obeyed, and raised his humble head; and then, in that utter clearness of the imminent dawn, while Nature, flushed with fulness of incredible colour, seemed to hold her breath for the event, he looked in the very eyes of the Friend and Helper; saw the backward sweep of the curved horns, gleaming in the growing daylight; saw the stern, hooked nose between the kindly eyes that were looking down on them humourously, while the bearded mouth broke into a half-smile at the corners; saw the rippling muscles on the arm that lay across the broad chest, the long supple hand still holding the pan-pipes only just fallen away from the parted lips; saw the splendid curves of the shaggy limbs disposed in majestic ease on the sward; saw, last of all, nestling between his very hooves, sleeping soundly in entire peace and contentment, the little, round, podgy, childish form of the baby otter. All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Kenneth Grahame