the classic Magia naturalis et innaturalis was known to Johann W. von Goethe, who, like Gotthold Lessing, saw Faust's pursuit of knowledge as noble; in Goethe's great Faust the hero is redeemed.
Sunday, March 10, 2013
Saturday, March 9, 2013
Pascal Beverly Randolph... Eulis “Affectional Alchemy” book covers ... 1930
The book, in German "Die sexualmagischen Lehren der Bruderschaft von Eulis", was originally
published by Randolph (1825-1875) in 1874 with the founding of The Brotherhood of Eulis ("Hermetische Bruderschaft vonLuxor"), presumably to work sex-magic. Randolph also founded the Fraternitas Rosae Crucis, the oldest Rosicrucian
organization in the United States
excerpt...
So far well; but at last the world wants to know more of that wonderful fraternity, which, nameless at times for long centuries, blossomed a few centuries ago as Rosicrucia, but now has leaped to the fore-front of all the real reform movements of this wondefu1 age, and lo! the banner of peerless Eulis floats proudly—rock founded — on the breeze. We, the people of Eulis, be it known, are students of nature in her interior departments, and rejecting alike the coarse materialism of the ages, and the sham “philosophies” of the ages past and current, accept only that which forces conviction by its irresistible logic. Men who realize the existence of other worlds than this are not apt to give loose rein to passion; nor be content with fraud in any shape. We cannot take say-sos for facts, and therefore we reject much that appeals to others with the force of truth. We are ambitious to solve all possible mystery; we prefer one method to all other hyper-human agencies, knowing it to be infinitely preferable to all other modes of rapporting the occult and mysterious; and this book, and all others from the same pen, is but a very imperfect sketch or outline of the sublime philosophy of the Templars of EULIS. We know the enormous importance of the sexive principle; that a menstruating woman is an immense power if she but knew it! that a pregnant one holds the keys of eternal mystery in her hand, and that while thus she can make or mar any human fortune! We know the mystic act is one unhinging the gates alike, of heaven and of hell; and we know two semi-brainless people may, by an application of esoteric principles, stock the
world with mental giants. But where shall we find students? Are not all the people, nearly, the slaves of lust, place, gold? Well, we find one now and then; and we hail him or her as the Greeks hailed the sea— with excessive joy! Thalatta! Thalatta! They are not multitudinous now, but will be in the good time coming.
Randolph’s “Rosicrucian Apology” from the first chapter of Eulis!, “Affectional Alchemy” (1874)
Friday, March 8, 2013
Thursday, March 7, 2013
Wednesday, March 6, 2013
Monday, March 4, 2013
Frans de Geetere & Arthur Rimbaud... The Stupra... 1925
Frans de Geetere ~ illustration for The Stupra 1925
The ancient beasts...
The ancient beasts bred even on the run,
Theirs glans encrusted with blood and excrement.
Our forfathers displayed theirs members proudly
By the fold of the sheath and the grain of the scrotum.
In the middle ages, for a female, angel or sow,
A fellow whose gear was substantial was needed;
Even a Kléber, judging by his breeches which exagerate
Perhaps a little, can't have lacked resources.
Besides, man is equal to the proudest mammal;
We are wrong to be surprised at the hugeness of their members;
But a sterile hour has struck: the gelding
And the ox have bridled their ardours, and no one
Will dare again to raise his genital pride
In the copses teeming with comical children.
Arthur Rimbaud ~ The Stupra 1925
Wednesday, February 27, 2013
William Butler Yeats... notebook page ...1920
sketch from 19 August 1920
One sketch from 19 August 1920 brings together a tower with water,
apple trees and flowering trees as well as birds and a unicorn
(labelled, on the right-hand side), said to be carrying a mask from a tree with its horn and “Rushing”.
The two sets of trees are labelled apple trees and flowering trees, which may represent
the same contrast of flower and fruit that Dulac used in his woodcut of the Great Wheel.
But elsewhere in the Automatic Script, the tree is the symbol of the primary and the mask of the antithetical, so that the unicorn's carrying away may represent a temporary triumph
of the antithetical or rescue for the antithetical Yeatses, as they build the tower of their
antithetical system.... more
Tuesday, February 26, 2013
Sunday, February 24, 2013
Saturday, February 23, 2013
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