illustration for Chansons Nouvelles Suivi by Marc Fernand 1933
Saturday, March 23, 2013
Léonor Fini...1966
'' To my friend Jean-Bernard, Gilbert Lely The physical difference between man and woman, this fabulous luxury dazzles me.''
Labels:
Leonor Fini,
surrealism
Wednesday, March 20, 2013
Léon Ferrari...'Hell'...digital print 1995/6
more HERE
Labels:
digital prints,
Léon Ferrari
Monday, March 18, 2013
Memento Mori... print & poem.. Christina Georgina Rossetti
Memento Mori
Poor the pleasure
Doled out by measure,
Sweet though it be, while brief
As falling of the leaf;
Poor is pleasure
By weight and measure.
Sweet the sorrow
Which ends to-morrow;
Sharp though it be and sore,
It ends for evermore:
Zest of sorrow,
What ends to-morrow.
Christina Georgina Rossetti
Labels:
Christina Georgina Rossetti,
memento mori,
poems
Sunday, March 17, 2013
Friday, March 15, 2013
Monday, March 11, 2013
Marcus Behmer (1879-1955) ... Ver Sacrum... illustrations
Faust and Wagner 1903
Angel of Death
Death on a tree
illustrations for Ver Sacrum ("Sacred Spring" in Latin) the official magazine of the Vienna Secession. Published from 1898 to 1903
more from Flickr Set
Labels:
illustrators,
Marcus Behmer,
Ver Sacrum,
Vienna Secession,
woodcuts
Sunday, March 10, 2013
Doctor Johannes Faust ... books...Magia Naturalis et Innaturalis... 1849
the classic Magia naturalis et innaturalis was known to Johann W. von Goethe, who, like Gotthold Lessing, saw Faust's pursuit of knowledge as noble; in Goethe's great Faust the hero is redeemed.
Labels:
1800's,
books,
Doctor Johannes Faust,
Goethe,
Grimoires,
illustrations,
magic
Saturday, March 9, 2013
Pascal Beverly Randolph... Eulis “Affectional Alchemy” book covers ... 1930
The book, in German "Die sexualmagischen Lehren der Bruderschaft von Eulis", was originally
published by Randolph (1825-1875) in 1874 with the founding of The Brotherhood of Eulis ("Hermetische Bruderschaft vonLuxor"), presumably to work sex-magic. Randolph also founded the Fraternitas Rosae Crucis, the oldest Rosicrucian
organization in the United States
excerpt...
So far well; but at last the world wants to know more of that wonderful fraternity, which, nameless at times for long centuries, blossomed a few centuries ago as Rosicrucia, but now has leaped to the fore-front of all the real reform movements of this wondefu1 age, and lo! the banner of peerless Eulis floats proudly—rock founded — on the breeze. We, the people of Eulis, be it known, are students of nature in her interior departments, and rejecting alike the coarse materialism of the ages, and the sham “philosophies” of the ages past and current, accept only that which forces conviction by its irresistible logic. Men who realize the existence of other worlds than this are not apt to give loose rein to passion; nor be content with fraud in any shape. We cannot take say-sos for facts, and therefore we reject much that appeals to others with the force of truth. We are ambitious to solve all possible mystery; we prefer one method to all other hyper-human agencies, knowing it to be infinitely preferable to all other modes of rapporting the occult and mysterious; and this book, and all others from the same pen, is but a very imperfect sketch or outline of the sublime philosophy of the Templars of EULIS. We know the enormous importance of the sexive principle; that a menstruating woman is an immense power if she but knew it! that a pregnant one holds the keys of eternal mystery in her hand, and that while thus she can make or mar any human fortune! We know the mystic act is one unhinging the gates alike, of heaven and of hell; and we know two semi-brainless people may, by an application of esoteric principles, stock the
world with mental giants. But where shall we find students? Are not all the people, nearly, the slaves of lust, place, gold? Well, we find one now and then; and we hail him or her as the Greeks hailed the sea— with excessive joy! Thalatta! Thalatta! They are not multitudinous now, but will be in the good time coming.
Randolph’s “Rosicrucian Apology” from the first chapter of Eulis!, “Affectional Alchemy” (1874)
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