Saturday, October 3, 2009

Thursday, October 1, 2009

*Guest Blog...



Maggie O'Sullivan

Maggie O'Sullivan was born in Lincolnshire to Irish parents. Poet, artist, editor, publisher, she has performed and published her work since the late 1970s.


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Arshile Gorky, "Study for "Nighttime, Enigma and Nostalgia"

"Elegy" (after Arshile Gorky)

You measured things by weight.
You loved the feel & shape of apricots
the wave & sway of fields of grain
the strength & pressure of waterfalls
the flow & shimmer of rivers
the luxuriance of orange, amber & terracotta
on naked paper
the drift & wing, flutter & rustle
of birds & leaves.
You loved the surreal
the song
the edible
and, above all,
bread.

Your palette unfurls a flirtation
of glow & shadow,
a tenderness of breasts,
a poignant sweet incense of lemons
figs olives honey &
cherry trees in blossom.
The sanctuary holds all.
The bitter-red roses,
the scarlet-red crest of the cock,
the shivering silver sickness of poplar leaves
and the pallid hands, distorted, flat
as icons. [...]


Malevich

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Malevich, "White on White" (1918)


white on white

white square on white ground
white ground on white square
groundlight on white
white on light

white nothing
nothing within nothing
within nothing nakendess
white nothing
naked

nothing revealing
nothing reveals nothing
yielding nothing
nothing yields nothing

* with many thanks to R O'B






Wednesday, September 30, 2009

Ex libris...Ismael Smith








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Federico García Lorca...drawing and poem...




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Song of the Barren Orange Tree


Woodcutter.
Cut my shadow from me.
Free me from the torment
of seeing myself without fruit.

Why was I born among mirrors?
The day walks in circles around me,
and the night copies me
in all its stars.

I want to live without seeing myself.
And I will dream that ants
and thistleburrs are my
leaves and my birds.

Woodcutter.
Cut my shadow from me.
Free me from the torment
of seeing myself without fruit.





Tuesday, September 29, 2009

Books ...Rabanus Maurus, Archbishop of Mainz....




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Modernly known as In honorem sanctae crucis, this work on the holy cross by Rabanus Maurus (a.k.a. Hrabanus Maurus) was completed by 814 and through the manuscript and early printing era it was known under the title of De Laudibus sancte Crucis. The New Westminster Dictionary of Church History says that “with this work Hrabanus paved the way to fill the theoretical gap left open by the previous debates in the East and West about the legitimacy of visual images.”

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And visual this work certainly is: It contains 30 carmina figurata (2 unnumbered and 28 numbered) glorifying the holy cross and two xylographic illustrations. The cataloguer at the Pierpont Morgan Library writes that the “Illustrations (pattern or figure poems) are in red and black, sometimes complete woodcuts, sometimes woodcut with letterpress. Various poetic texts can be derived from the resulting configurations. Explanatory text and a transcript of the poem complements each illustration.” The archbishop's work ranks among the earliest examples of printed concrete poetry. And, because his poems are encrypted in a grid of 36 lines each containing 36 letters, this also is an early work in the field of cryptology.