Showing posts with label surrealism. Show all posts
Showing posts with label surrealism. Show all posts

Friday, February 10, 2012

Ernst Fuchs... drawing...1963 erotica



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Victor Brauner... painting... 1938



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Entre le jour el la nuit (Gemini), 1938




“We, bird and man on two thrones
prolonguedly chat
my lover with untroubled gestures conjuring up
consoling archetypes of the night.” 



from  (Eagles on Vacation) Gellu Naum



Wednesday, February 8, 2012

J Karl Bogartte... A Curious night for a double eclipse..2011




Received my copy today of a collaboration with a favourite poet/artist  JK Bogartte...


The levels of consciousness passing through at unfamiliar angles, aroused by intuition and the enfolding future of wasps in a secretive handshake... The word for venom is always glowing in the dark. The storm takes your shape, impregnates those clear-cut moments of primitive bliss and darkens them. Everything unknown comes from deceptive distances. Authenticity enlightens death.


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Life is another identity to the one you call your own, and the mystery of who desires its own form, follows the rush of nebulae...



    The missing links ravishing the landscape, hesitant poses, reluctant portraits, the erotic gathering of phantoms that cast themselves skimming over the water, where you and your shadow mediate with death, shaking the clarities between the poles of unconscious desires, striking up the band, of thieves and precious stones, languorous nights collaborating with philosophers haunted by wolves in the foundry of priceless shoulder blades... Bone is like breath when it reflects the sun. It is like devotion, even when it slumbers and dreams of a desirable climax, a beautiful havoc no one can resist.



   There is joy and longing in the skeletal remains of the astronomy that announces your passion, in quadrants, so completely out of step, so flint-like in those moments before waking, where you cannot even be seen...



   “Eat me, my love, live on me with animal-thirst, in the charade of a diamond split open for perilous novelty. Lick my fleece and draw blood into enchanted circles... Suffer for me, my eager shadow, sip the nightshade of my buzzing and my antennae, and cling to my stake, glow for me in the shallows of all that resemble the artifacts of confusion and dismay... my love, enter me and become my hunger for you...”



   Gold is time compressed into a diamond. Time is the process by which infinity lifts her dress just enough to unsilver the mirror that reflects your absence. Your breath is the completed triangle of a furious glance. Night trembles, because it knows you...



   Desire and desperation unfold like roadblocks on a street of glaciers burning up the architecture of fear, where swans mimic giant prisms and autopsy implements fondling the brightest of your glimpses, with passion and concern, with empathy and idealization, a little violence and projection, a passing semblance of erotic devotion, and yes, filled with a certain grace, moments of acceptable doubt, an anguish that allows us to evolve... If we do not falter...



    You are, in spite of yourself, a series of references, and ingenious designs, however brilliant and often too intricate for precise placement in the moment, and we become medial angles taunted by candles and poetic crimes in progress, crossbows of a lunar eclipse, and chaste fountains in the middle of the room with opened arms. We follow you with intent to commit mayhem. We love you endlessly, your propellers tearing up the forest, and when your transparency astounds us, we love you even more. A lunacy of longing dwells in us like words that have no meaning, but animal cries, torn linen, a loving defiance... There is hope for fire.





Saturday, July 30, 2011

Toyen (Marie Cerminova) ... Erotica & essay...



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"Toyen's entire oeuvre aims at nothing less than the correction of the exterior world in terms of a desire that feeds upon and grows from its own satisfaction. "
Benjamin Peret 1953


interesting essay on Toyen here >

previous toyen



Saturday, July 23, 2011

The Story of the Eye ...Andre Masson..book cover



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Cover sketch for George Bataille's Story of the Eye - first edition 1928 - André Masson



"And it struck me that death was the sole outcome of my erection, and if Simone and I were killed, then the universe of our unbearable personal vision was certain to be replaced by the pure stars, fully unrelated to any external gazes and realizing in a cold state, without human delays or detours, something that strikes me as the goal of my sexual licentiousness: a geometric incandescence (among other things, the coinciding point of life and death, being and nothingness), perfectly fulgurating..."


 George Bataille's Story of the Eye


 previous post > George Bataille



Leonor Fini (1907-1996)... erotica...c.1970




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Monday, July 11, 2011

Jan Svankmajer... Collage



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from one of my favourite filmakers a surrealist collage from 1973



Wednesday, July 6, 2011

Unica Zürn... Happy Birthday! ...painting...



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Tempera on board 1957



"If only nobody would block my view. This was what bothered me the most.
My new viewpoint was of great importance to me. I would defend it
against all comers, however weary I might be" UZ





Tuesday, May 10, 2011

Hans Bellmer...print.... undated





“The body resembles a sentence that seems to invite us to dismantle it into its component letters, so that its true meanings may be revealed anew through an endless stream of anagrams.”  
Hans Bellmer

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André Pieyre de Mandiargues on Bellmer...

“He was highly intelligent and seemed to have no sense of culpability or sin—there was innocence in his perversity. His eroticism was intellectual rather than sensual, cold rather than hot: this attracted me to him because like me, he was basically a puritan, and like me, he had no time for vulgar sensuality.”



Monday, February 7, 2011

For Benjamin PERET...





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Max Ernst - illustration for La Breis Galante 1949 by Benjamin Peret


 TOM TOM 1 for Benjamin Peret


even the river of earth blood
even the blood of the ruptured sun
even the blood of a hundred nails of sun
even the blood of the suicide fire beasts
even the blood of ashes blood of salt blood
of bloods of love
even the flaming blood of the fire bird
herons and falcons
rise and burn

AIME CESAIRE



Wednesday, December 15, 2010

Thursday, December 9, 2010

Hans Bellmer...print.... undated





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"At the source of the most intensely black and scandalous works...we believe there exists this sort of passage from passion to action, a secret need for equilibrium, the urge to create an imaginary evil from which we may take pleasure within the excesses of intellectual passion, in order to cure ourselves of the real evil we're suffering"

from Scandal with a Secret Face - an Essay by Nora Mitrani 1950

previous Bellmer



Wednesday, July 14, 2010

Cadavre Exquis ...



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Greta Knutson, Tristan Tzara, Valentine Hugo, Cadavre exquis 1929



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Nusch Eluard, Valentine Hugo, Andre Breton, Paul Eluard 1930


Sunday, March 21, 2010

A bit of metaphysics and astronomy ... Urmuz


Urmuz (Romania 1883-1923)






A bit of metaphysics and astronomy

unfinished essay

It is simply not true - the symposium said with one accord - that in the beginning the "word came from God" or that "God was the word." In the beginning - the drinking party reaffirmed - before there was any "word", there was only the " deaf-and-dumb alphabet"; for surely it is hard to beleive that cosmis substances and matter could have learnt straight away to express anything at all; they may not even have been able to ask to be excused or even to say "papa" or "mama". Most probably - the diners went on- the heavenly bodies took shape neither by God's munificence, nor from their own own urge to spin and thus create something out of nothing merely for the sake of turning round and round , nor from gaseous solids.
It is more likely that they wherre neither created nor uncreated: nobody's children, born of accurate or inaccurate calculations, in instalments, with sweat and toil; in addition,
insufficiently nourished at the Heavenly Maternity Clinic with milk mixed with soda water by the dairymaids of the Milky Way.
Even admitting that they spin only for their own amusement, it is still difficult to suppose that their motives are entirely disinterested, without the intention of making the slightest profit. Surely it would seeem rather ridiculous for anyone to gyrate for ever and ever, free of charge, just to be seen by others...
--Whaaat? Mean and selfish interests among the heavenly bodies? naively protested the ideologically-minded plebs, waiting outside in the courtyard for the verdict.
The crowd had good reason, and yet no reason at all for being so apprehensive...
In fact, who in the first place could have impelled matter and he cosmic force into becoming something when they, in their turn, by destroying themselves or simply by handing in their resignations, could at anytime have compelled the "something" to become the "nothing"?...
Then again, who among us can complain that the primordial force, the cause of all causes, may never be attained or discovered, when everybody is striving to reach it from the start, or from behind, and nobody ever attempts to cover it, for a moment, or to catch it on the hip at leas once?
And what is the good of fighting to discover a cause, the sole and primordial cause, when unfortunately causes are at the same time affects; and these in turn bring about other effects which are diabolically manifold and tangled?
What then is the point of our seeking a single cause, this initial, generative force which we feel must exist, when it is itself so stubbornly determined to produce nothing but multiplicity? It thirst for multitudes, for complexities and contradictions; it needs millions of people, flies, sponges, monsters, stars -- all at a price of great suffering and inconvenience to them. It also needs "trunk-fish" and "sawfish", and swallows numbers, distances and high speeds, with no purpose or necessity...