Showing posts with label woodcuts. Show all posts
Showing posts with label woodcuts. Show all posts

Saturday, October 29, 2011

Wednesday, August 10, 2011

Liv Rainey-Smith... Woodcuts ... Satyr



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Shub ~ The Early Years © Liv Rainey-Smith


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"Shub-Niggurath" ~ 2008 © Liv Rainey-Smith









Thursday, July 28, 2011

Monday, July 18, 2011

Wednesday, January 26, 2011

Lynd Ward... Mad Man's Drum.. Part 1



a few scans from one of my favourite artists, and one of the finest wood engravers of the twentieth century .. 

 Mad Man Drum ~ A Novel in Woodcuts
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Monday, December 20, 2010

Eric William Ravilious(1903-1942)... Woodcut




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Doctor Faustus Conjuring Mephistophilis 1929



Ravilious was a prolific British illustrator and worked predominantly with wood engravings. The subject for this work relates to the 16th century medical practitioner, Dr. Johannes Faust who, legend has it, sold his soul to Mephistopheles, an evil spirit.



Friday, December 3, 2010

Jean Gabriel Daragnes (French, 1886-1950)...Woodcuts...Satyr



two scans from a favourite book "The Modern Woodcut" by Herbert Furst
on  one of my favourite obsessions... Le Satyre


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Here illustrating Paul Claudel's "Protee"


Daragnes also illustrated Oscar Wilde's "Ballad of Reading Gaol" Gerard de Nerval's "Main Enchantee" and Poe's "Raven" to name a few
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..let there be darkness as I await my portion in which will be created from my soul the drop ready to fall in its greatest heaviness. Let me offer a libation to you in the shadows, like the mountain spring that offers drink to the Ocean in its little shell!
Paul Claudel





Tuesday, November 23, 2010

Wednesday, October 20, 2010

Tuesday, September 29, 2009

Books ...Rabanus Maurus, Archbishop of Mainz....




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Modernly known as In honorem sanctae crucis, this work on the holy cross by Rabanus Maurus (a.k.a. Hrabanus Maurus) was completed by 814 and through the manuscript and early printing era it was known under the title of De Laudibus sancte Crucis. The New Westminster Dictionary of Church History says that “with this work Hrabanus paved the way to fill the theoretical gap left open by the previous debates in the East and West about the legitimacy of visual images.”

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And visual this work certainly is: It contains 30 carmina figurata (2 unnumbered and 28 numbered) glorifying the holy cross and two xylographic illustrations. The cataloguer at the Pierpont Morgan Library writes that the “Illustrations (pattern or figure poems) are in red and black, sometimes complete woodcuts, sometimes woodcut with letterpress. Various poetic texts can be derived from the resulting configurations. Explanatory text and a transcript of the poem complements each illustration.” The archbishop's work ranks among the earliest examples of printed concrete poetry. And, because his poems are encrypted in a grid of 36 lines each containing 36 letters, this also is an early work in the field of cryptology.